| emailid | artid | category | art_title | ||||||
|---|---|---|---|---|---|---|---|---|---|
| 289 | Read 1 | History | Human development happens concurrently, not on a sequential timeline. | ||||||
| 289 | Read 2 | How We Live | The more we synchronize ourselves with the time in clocks, the more we fall out of sync with our own bodies and the world around us. | ||||||
| 289 | Read 3 | How We Live | Let’s talk about what we want to do—and not do—with the rest of our lives. | ||||||
| 289 | Read 4 | Design Research | The symbiotic relationship of research and design | ||||||
| 289 | Read 5 | Visual Identity | 'The designer of today re-establishes the long-lost contact between living people and art as a living thing.' | ||||||
| 289 | Read 6 | Creative Process | The recurring themes in the first cave drawings | ||||||
| 289 | Read 7 | Creative Process | 'A masterclass in facilitation and creative management' | ||||||
| 289 | Read 8 | Oneliners | Article: The Notion of a Personal ‘Carbon Footprint’ was Invented by Ogilvy & Mather for BP in the Early 2000s. | ||||||
| Full articles follow | |||||||||
| 289 | [art:1] | History | Human development happens concurrently, not on a sequential timeline. | ||||||
| 289 | [art:2] | How We Live | The more we synchronize ourselves with the time in clocks, the more we fall out of sync with our own bodies and the world around us. | ||||||
| 289 | [art:3] | How We Live | Let’s talk about what we want to do—and not do—with the rest of our lives. | ||||||
| 289 | [art:4] | Design Research | The symbiotic relationship of research and design | ||||||
| 289 | [art:5] | Visual Identity | 'The designer of today re-establishes the long-lost contact between living people and art as a living thing.' | ||||||
| 289 | [art:6] | Creative Process | The recurring themes in the first cave drawings | ||||||
| 289 | [art:7] | Creative Process | 'A masterclass in facilitation and creative management' | ||||||
| 289 | [art:8] | Oneliners | Article: The Notion of a Personal ‘Carbon Footprint’ was Invented by Ogilvy & Mather for BP in the Early 2000s. | ||||||
|
| |||||||||