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(*) This is a delightful 3-song set recorded in a club in London in 1968. The band features Mick Taylor on lead guitar, who left to replace Brian Jones in The Rolling Stones the following June.
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(*) Video: John Mayall w Mick Taylor 1968 FRENCH TV.
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(*)"(John) Mayall, who has died aged 90, was one of the key progenitors of the British blues movement, a reliable and generous guide to a new generation whose members were devoted to learning the music that had emerged from the juke joints of the Mississippi Delta and the clubs of Chicago’s South Side.
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(*)"Out of ... Mayall’s Bluesbreakers flowed a stream of prodigies who were soon ready to head off in their own directions. When Clapton left Mayall after a year – and one hugely influential album, Blues Breakers – to form Cream, he was replaced by the 19-year-old Peter Green. When Green left a year later, taking the group’s drummer, Mick Fleetwood, and bassist, John McVie, with him to form the first version of Fleetwood Mac, his place was taken by the 17-year-old Mick Taylor. Two years later Taylor would accept an offer from the Rolling Stones.
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(*)"While they were with Mayall, they became the young gods of the club scene: a new generation of note-bending guitar heroes, beautiful long-haired boys whose skills had been attained through long hours of bedroom practice and were now delivered to audiences mesmerised by their virtuosity and the intensity of their demeanour." - Richard Williams
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(*)Article: John Mayall Was a Lightning Rod for the Blues Who Changed the Course of British Music
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(*)Weekly Mixtape
(*)In memory of John Mayall
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(*) Playlist: John Mayall
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(*) Image of the Week
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(*)"It seems these days that the amount of those with no fixed abode advertising their needs, tops any flyposting material or billboard infrastructure.
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(*)"This is where people should be putting their money, not towards a pair of pants that JB has once worn to once home his Crown Jewels."
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(*)Instagram Page: Pattern Up
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(*)"Pattern Up are part of a new movement of guerrilla creatives making mischief to make a statement. Armed with parody posters, fake objects and eyecatching installations, these artists mostly choose to stay anonymous and put up their art undercover at night, ready to be discovered by bleary-eyed commuters in the morning. Often, they join forces, working as a loose collective." - Kyle MacNeill
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(*)Article: ‘If People Are Upset, We’re Doing Something Right’: The Artists Subverting the Language of Ads
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(*) What's Love & Work?
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(*)Love & Work is the weekly newsletter by me, Mitch Anthony. I help people use their brand - their purpose, values, and stories - as a pedagogy and toolbox for transformation.
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(*)If you get value from Love & Work, please pass it on.
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(*)You can learn more about me and my work here: mitchanthony.net
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(*)Not a subscriber? Sign up here.
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(*)You can also read Love & Work on the web.
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