In the mid-sixties, Sylvester Stewart, a San Francisco radio DJ and sometime record producer with an education in classical composition, reinvented himself as Sly Stone. In 1966 he started a band, Sly and the Family Stone, a racially and gender integrated group that blended soul into what was still a new sound, psychedelic rock. Their first album, A Whole New Thing, flopped.
Then in 1968 they released a second album, Dance to the Music. Sly described the music as being simpler, and "more people understood that". Writing in The Guardian, Alexis Petridis says about the song of the same name: "It was the first of a string of incredible singles – Everyday People, Stand!, Hot Fun in the Summertime, I Want to Take You Higher, Family Affair – that turned Sly Stone into one of the most influential figures in soul music. He became the man who ultimately caused the Temptations to transform themselves from the performers of My Girl into the makers of Cloud Nine, Psychedelic Shack and Ball of Confusion; who cleared the path for Parliament-Funkadelic; whose uncompromising way of handling things paved the way for other Black artists, including Stevie Wonder, to wrest control of their careers." As one measure of the band's influence, whosampled.com reports that their music has been sampled more than 1.000 times.
The rest of the story is rather tragic. Most of Sly's subsequent years are filled with stories of the downward spiral of drug addiction. But now, at the age of 80, Sly Stone has released a memoir, Thank You (Falettinme Be Mice Elf Agin): A Memoir. Clean since 2019 but in very poor health, he is now talking, albeit by email, about how he and his first-of-its-kind band changed music, fundamentally and for ever.
Interview: ‘I Never lived a Life I Didn’t Want to Live’: Sly Stone on Addiction, Aging and Changing Music for Ever.
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Weekly Mixtape
It is impossible to think of how contemporary soul, jazz and rock music would sound today were it not for Sly and the Family Stone.
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Image of the Week
RIRKRIT TIRAVANIJA’S PING-PONG TABLES, AS INSTALLED AT REMAI MODERN IN SASKATOON, CANADA, IN 2019.
Photo Blaine Campbell/Courtesy Remai Modern
"Rirkrit Tiravanija’s lively MoMA PS1 show, a strong candidate for the year’s finest New York museum exhibition, is a challenging experience. This is not because the art included is tough—although it does offer plenty of food for thought (and, in a few cases, for digestion, too)—but because the work on hand calls on viewers to do more than merely see it.
"On at least three occasions, visitors are asked to lie down to experience the works. On two, they are given the opportunity to play music—including their own, made via guitars and a drum set, in one installation resembling a recording studio, minus a soundproofed wall. And, for one centrally placed artwork, visitors are even given the opportunity to perform a game of ping-pong; paddles, balls, and a table await players." - Alex Greengerger
Article: Rirkrit Tiravanija’s Bracing MoMA PS1 Survey Is One of the Year’s Best Museum Shows
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