Video: Abou Diarra | Né Nana | Loustic Sessions
"From the Wassalou region in Mali, Diarra began playing music at a young age when he would accompany his mother to ceremonies and traditional festivals. His musical training came from an ngoni master, Vieux Kanté, who was blind. He began his career in an unusual way. He literally walked from town to town on the roads between Abidjan (Ivory Coast), Bamako (Mali) and Conakry (Guinea) for several months. In this way, he discovered and was subsequently influenced by traditional and contemporary urban music.
"Diarra adds extra strings to his ngoni so that it goes beyond the classical scale of the instrument. He can play it as a traditional instrument or as a drum, as a bass, or as a guitar. He is known as the 'Jimi Hendrix of the ngoni.' His skill with the instrument is indeed stunning." - Maria Noel
Article: African Roots and Rhythms: Abou Diarra (Mali)
|
|
Weekly Mixtape
Blues music transcends the boundaries of time and geography.
|
|
Image of the Week
An unattributed photograph of a Crinkle Crankle wall posted by Praxis Builders.
"In England you sometimes see these 'wavy' brick fences. And curious as it may seem, this shape uses fewer bricks than a straight wall. A straight wall needs at least two layers of bricks to make is sturdy, but the wavy wall is fine thanks to the arch support provided by the waves. They can be built one brick wide, therefore requiring less bricks when compared to a straight wall."
Article: 15 Examples Of British “Crinkle Crankle” Walls That Take Fewer Bricks To Build Than Straight Ones
|
|
What's Love & Work?
Love & Work is the weekly newsletter by me, Mitch Anthony. I help people use their brand - their purpose, values, and stories - as a pedagogy and toolbox for transformation.
If you get value from Love & Work, please pass it on.
You can learn more about me and my work here: mitchanthony.net
Not a subscriber? Sign up here.
You can also read Love & Work on the web.
|
|
|
|