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This is a delightful 3-song set recorded in a club in London in 1968. The band features Mick Taylor on lead guitar, who left to replace Brian Jones in The Rolling Stones the following June.
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Video: John Mayall w Mick Taylor 1968 FRENCH TV.
"(John) Mayall, who has died aged 90, was one of the key progenitors of the British blues movement, a reliable and generous guide to a new generation whose members were devoted to learning the music that had emerged from the juke joints of the Mississippi Delta and the clubs of Chicago’s South Side.
"Out of ... Mayall’s Bluesbreakers flowed a stream of prodigies who were soon ready to head off in their own directions. When Clapton left Mayall after a year – and one hugely influential album, Blues Breakers – to form Cream, he was replaced by the 19-year-old Peter Green. When Green left a year later, taking the group’s drummer, Mick Fleetwood, and bassist, John McVie, with him to form the first version of Fleetwood Mac, his place was taken by the 17-year-old Mick Taylor. Two years later Taylor would accept an offer from the Rolling Stones.
"While they were with Mayall, they became the young gods of the club scene: a new generation of note-bending guitar heroes, beautiful long-haired boys whose skills had been attained through long hours of bedroom practice and were now delivered to audiences mesmerised by their virtuosity and the intensity of their demeanour." - Richard Williams
Article: John Mayall Was a Lightning Rod for the Blues Who Changed the Course of British Music
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Weekly Mixtape
In memory of John Mayall
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Image of the Week
"It seems these days that the amount of those with no fixed abode advertising their needs, tops any flyposting material or billboard infrastructure.
"This is where people should be putting their money, not towards a pair of pants that JB has once worn to once home his Crown Jewels."
Instagram Page: Pattern Up
"Pattern Up are part of a new movement of guerrilla creatives making mischief to make a statement. Armed with parody posters, fake objects and eyecatching installations, these artists mostly choose to stay anonymous and put up their art undercover at night, ready to be discovered by bleary-eyed commuters in the morning. Often, they join forces, working as a loose collective." - Kyle MacNeill
Article: ‘If People Are Upset, We’re Doing Something Right’: The Artists Subverting the Language of Ads
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