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"Where was the human potential lost? How was it crippled? ...a good question might be not why do people create? But why do people not create or innovate?"                    - Abraham Maslow

 

A notebook about how we work, learn, love and live.

These are trying times. When we don't recognize our mutuality, interconnectedness and co-responsibility, creativity and potential are dampened, even squashed.

So even if only for a few minutes, let's celebrate what humans can do and are learning.

Happy Friday
Culture, Dance
A short video that will make you feel good about being a human.
Urban Theory is a creative group based in Italy. File under: Look at What Humans Can Do.

Video: Tranquility Found By Lake's Edge
Culture, Media
“We could make a 10-hour series about Brian, and we still wouldn’t be scratching the surface of everything he’s done."

This is a story about a film about Brian Eno. I chose to file it under "Media" and not "Creativity" because the medium itself - a generative film that is different every time you watch it - is the big news here. And when the life and work of Brian Eno is secondary, that's really big news.

"This year, Eno even stars in a generative documentary about his life as an artist, music producer, and 'sonic landscaper' directed by Gary Hustwit, best known for Helvetica and other non-fiction films on design. The New York Times’ Rob Tannenbaum writes that Eno 'is unlike any other portrait of a musician. It’s not even a portrait, because it isn’t fixed or static. Instead, Hustwit used a proprietary software program that reconfigures the length, structure and contents of the movie.' This suited both Eno’s professional philosophy and his antipathy to the conventional documentary form. 'Our lives are stories we write and rewrite,' Tannenbaum quotes him as writing in an e‑mail. ‘There is no single reliable narrative of a life.'”- Collin Marshall

Article: Eno: The New “Generative Documentary” on Brian Eno That’s Never the Same Movie Twice
Learning, Creativity
How creative self-expression affects physical and emotional health.

"Human brains are not computers processing data. They are biological prediction machines that perceive the environment through memories and the senses, with the capacity to use that information to imagine plausible future scenarios.

"These inherent predictive and imaginative capacities are the wellspring of humanity’s abilities to survive and thrive—because self-expression is a safety valve that helps us cope with uncertainty. No one truly knows the future; they must live each day not sure of what will happen tomorrow. Art can help us all practice this imaginative muscle in a useful way." - Girija Kaimal

Article: How Creativity Defines the Human Species and Is a Source of Wellness 

Communication, Video
"Remember, video essays aren’t essays. They’re films."

Every Frame a Painting is a series of 28 video essays about film form, film editing, and cinematography created by Taylor Ramos and Tony Zhou between 2014 and 2016. Each of these short-form videos is built around one filmmaker and one of their unique talents. They analyze Akira Kurosawa to understand how to compose movement, Edgar Wright to dissect visual comedy, and Buster Keaton on the art of the gag.

Tony opens this episode with a declaration: "This is an essay film by Orson Welles. It’s called F for Fake. And it's one of my personal bibles. Everything I know about editing, I learned from this film. But today, I want to talk about one basic thing: When you’re structuring a video essay there’s one thing you really want to avoid...".

In this day when we all have the technology we need to shoot, record and edit a video right in our pocket, we all need a little coaching on how to make it a video worth watching.

Video: F for Fake (1973) - How to Structure a Video Essay
Communication, Persuasion
"To make science’s stories more concrete and engaging, it’s important to put people in the story, explain science as a process, and include what people care about."
Rosalva's home in Columbia floods every year, creating hazardous living conditions. Stories hit home more when they include human characters and not just forces of nature. Photo: © Scott Wallace / World Bank

"In my bookScience v. Story: Narrative Strategies for Science Communicators, I explore how to use stories to talk in a compelling way about controversial science topics, including vaccination. To me, stories contain characters, action, sequence, scope, a storyteller, and content to varying degrees. By this definition, a story could be a book, a news article, a social media post, or even a conversation with a friend.

"While researching my book, I found that stories about science tend to be broad and abstract. On the other hand, science-skeptical stories tend to be specific and concrete. By borrowing some of the strategies of science-skeptical stories, I argue that evidence-backed stories about science can better compete with misinformation." - Emma Frances Bloomfield

Article: Storytelling Strategies Make Communication About Science More Compelling

Learning, Hope
What does it mean to hope in our fragile and fraught world?
Roshi Joan Halifax, Ph.D., Buddhist teacher, Zen priest, anthropologist and pioneer in the field of end-of-life care, says that "it really doesn’t serve anyone to peddle futility. Ultimately, despair and futility are not viable options in our world today".
"You and I know that ordinary hope is based in wanting an outcome that could well be different from what might actually happen.

"...If we look deeply, we realize that anyone who is conventionally hopeful has an expectation that always hovers in the background, the shadow of fear that one’s wishes will not be fulfilled...Ordinary hope then is a form of suffering, and this kind of hope is a partner with dread.

"Wise hope, I have learned, is unprescribed, spontaneous, and can’t be attached to an outcome. It is a response of imagination so free that one has no idea of where it comes from and where it will lead and land.

"...Thus, wise hope is not the belief that everything will turn out well. But rather that we find ourselves responding from the groundlessness of possibility.

"Optimists imagine that everything will turn out positively. This point of view is dangerous; being an optimist means one doesn’t have to bother; one doesn’t have to act.

"Also, if things don’t turn out well, cynicism or futility can follow. And, as we might expect, optimists are excused from engagement. And this is really an important point. 

"I need to ask: Can we be seized by wise hope? I hope so." - Joan Halifax

Article: Understanding Wise Hope
Civics, Personal Responsibility
"Talk not only about what is to be lost but what can be gained."

Timothy Snyder  is an American historian specializing in the history of Central and Eastern Europe, the Soviet Union, and the Holocaust. He argues that the defunding of departments of history and the humanities have led to a society without the "concepts and references" or structural tools to responsibly consider "eroding factors" such as modern forms of populism.

He first published these twenty lessons from the twentieth century seven years ago, "first as a kind of online declaration, and then with historical examples, in a pamphlet called On Tyranny.

"They were written in advance of the first Trump presidency, and have been used since in the U.S. and around the world. 

"For those who want democracy and the rule of law in the United States after 2024, I would only add: now is the time to organize, to prepare to win locally and nationally, and to talk not only about what is to be lost but what can be gained." 

Book Excerpt: On Tyranny

One-liners

Article: Companies mitigating climate change reduce their cost of capital.

Article: Watching sports is good for you – thanks to its social bonding effects.

Article: Ugly buildings are bad for the environment.
Article: Honeycomb-inspired terracotta wall can cool houses without any chemicals or electricity.

Article: City of one million trees: how New York inspired other cities to go green
Playlist
Video: Weezer - The Blue Album LIVE | Spotify THIRTY - The 30th Anniversary

Weezer formed in Los Angeles in 1992 and released their self-titled debut album, also known as the Blue Album, in May 1994. Their crunchy guitar riffs, poppy melodies and vocal harmonies were really welcome to this then 40-year old who had persevered through more than a decade of disco and hair bands.

To celebrate the 30th anniversary of that album the band recently came together in an LA studio to play cuts from the album live. This music still sounds great today. 

Weekly Mixtape
By the late 80s and early 90s a whole generation of kids whose parents had grown up listening to The Beatles and the Stones were making their own music. 
Playlist: Undone
Image of the Week

Consuelo Kanaga, Untitled (Schoolhouse), undated. Gift of Wallace B. Putnam from the Estate of Consuelo Kanaga. [Brooklyn Museum]

By framing the movement created by the intersecting shapes of the schoolhouse and the telephone lines, Kangaga captured the seismic shifts that were happening in small town America before the mid-twentieth century.

"In the 1940s, on a small island off the coast of Maine, photographer Consuelo Kanaga produced a set of portraits. Her subject: the life and likeness of fellow renegade Margaret Wise Brown."

Article: In a Picture: “Margaret Wise’s Boudoir”

What's Love & Work?

Love & Work is the weekly newsletter by me, Mitch Anthony. I help people use their brand - their purpose, values, and stories - as a pedagogy and toolbox for transformation.

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